COLONIAL ENTANGLEMENTS
In my series Colonial Entanglements, I wrap everyday objects (a chair, a globe, a book) using my phototextile artefacts and sisal rope to interrogate the enduring, often invisible, legacy of the European colonial project on our modern world.
PRO MUNDI BENEFICIO
This series tells the stories of the plants endemic to the American continent that have greatly benefited the economies of other parts of the world, but that have also been influential in the creation of new cultural identities around the globe.
SEEING CHANGES
Seeing the lives of these students change from when they started in the programme to when they finished, knowing that we’ve contributed to the look of accomplishment in their faces, has been one of the most enriching experiences of my life.
DE-STRESS
On this portraiture project, I explored how working in a creative environment surrounded by a supportive group contributes to the success rate of entrepreneurs and their well-being.
MEMOIRS OF DARIEN
This is a phototextile artefact that I made in response to my artistic residency at Orleans House Gallery in London, and it tells the story of the Darien Scheme, the failed attempt by Scotland to colonise the Isthmus of Darien, in modern day Panama.
TRACES: STORIES OF MIGRATION
While creating this work, I went down a journey of discovering my identity, tracing back my migration journey and the journeys of my family and my ancestors.
MODE SIRENS & THE HIDDEN ENTITY
The presentation of Shane Bradford's collection of Mode Sirens, of my photography work entitled Migration and of the performative piece that Max and I created took place on May 7, 2022, in front of approximately 150 people.