2022 - A Year In Review

2022… you’ve been intense! This past year has truly been a whirlwind of activity. From working on artistic and socially-conscious projects to running workshops exploring everything from project management to the nuances of human identity. Over the last 12 months, my practice truly went beyond the camera and I feel like I have used my work to create a space for dialogue and exploration, opening up conversations about the power of art and photography in activism.

For the year to come, I hope that I can continue engaging with audiences and communities working on thought-provoking and meaningful projects. When it comes to my art, I believe that it is my responsibility to use it as a platform to promote social transformation and bring positive and lasting change to the world.

Here are the hightlights of 2022:

I’m one of the mentors of the Beyond Barriers mentoring scheme at Kingston University.

This was my fourth year as a Students’ Career Mentor at Kingston University.

Fellows of the Center for Social Impact Strategy of the University of Pennsylvania meeting at Derby organised by Derby Museums.

I presented work at the Teddington Artists’ Art Fair.

Presentation of my work entitled Migration and of a performative piece that we called The Hidden Entity co-created by me and The Ensemble Project with the collaboration of artist Shane Bradford.

I taught project management skills to a group of amazing photographers for Four Corners as part of the London Creative Network.

Had a beautiful time sharing my journey and supporting young artists during the Community ARTivism programme run by Skaped.

I was commissioned to document the community of Aberfeldy Village in East London.

Behind the scenes of Aberfeldy Stories

Working with the London College of Fashion of the University of the Arts London, the Centre for Sustainable Fashion, Love Welcomes and Dr Francesco Mazzarella supporting refugee communities during the summer of 2022.

My project The Other Checkbox in collaboration with Sandy Abdelrahman included workshops exploring ethnic identity with a beautiful group of very talented individuals.

Very fortunate to be part of Traces: Stories of Migration, a project run by artist Lucy Orta and Making for Change, a programme by the London College of Fashion of the University of the Arts London.

I was named Chairperson of Central London Humanists.

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Aberfeldy Stories

Join me in East London for the unveiling of my new work commissioned by Ecoworld and Poplar Harca to mark the 10-year milestone of the Aberfeldy development. The exhibition Aberfeldy Stories, will be open to the public this summer at East India Green, Aberfeldy Village, London E14 0GH, in Poplar from 30 June-31 August 2022.

Aberfeldy Stories is a new photography and audio stories exhibition that explores how this iconic East London neighbourhood has evolved over the past decade, as well as the lives of the residents within the community. The exhibition features portraits of residents, business owners and community leaders, photographed by me.

There are also audio stories about how their lives have changed since the regeneration began and their hopes and dreams for the future, created in collaboration with local arts collective The People Speak.

See you there!

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Our Podcast is Live!

I’m very excited to announce that The Other Checkbox podcast is Live! Listen now on Spotify! The Other Checkbox is a collaboration between Sandy Abdelrahman and me which explores London's other ethnic identities, especially within the equality and diversity monitoring forms and the national statistics. The project idea was born from our continuous conversation and debates on identity and not feeling represented or belonging. It is a project that is rooted in our own lived experience as immigrants and members of the 'Other' ethnic groups ourselves.

Sandy is a migrant woman of colour, activist, creative social entrepreneur and a co-founder of Skaped, a charity that inspires young people to engage with their human rights through the creative arts. The Other Checkbox is funded by the Paul Hamlyn Foundation.

Our aim is to create a sense of community and belonging for individuals from the 'Other' communities and a space to share our voices. The other checkbox is broken down into four parts that interlink with each other starting with a survey, Podcast, Creative workshop and finally the impact report.

You can learn more about the project on theothercheckbox.co.uk.

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August 20, Tai Solarin Day

Tai Solarin, 20 August 1922 – 27 July 1994. Public domain.

Tai Solarin, 20 August 1922 – 27 July 1994. Public domain.

My friend and colleague Lola Tinubu, co-founder of the Association of Black Humanists, shared with me that today, August 20, is Tai Solarin Day 2021. Dr Tai Solarin was an open atheist humanist born in Nigeria this day in 1922. He died in 1994. He was a leading civil rights activist, imprisoned for challenging the system. He campaigned vigorously against religion in school and, alongside his wife, established the first humanist school in Africa, which is still one of the best schools in Nigeria.

Lola shared with me this piece that she wrote: “Every freethinker on the planet should know about Tai Solarin. He was born in Nigeria on 20 August 1922. His actual name was Augustus Taiwo Solarin, but he was popularly and affectionately known as Uncle Tai Solarin. Tai is shortened Taiwo. He was one of twins. Taiwo in Yoruba means, the first to taste life. He was the first of the twins to be born. His twin sister was Kehinde Solarin. She died in 1991. The first to be born in multiple births in Yoruba Land is called Taiwo. The second is Kehinde and the third is Idowu.

Tai Solarin served in Britain's Royal Air Force during World War II, and finished a bachelor's degree in history and geography at the University of Manchester. He had his post-graduate studies at the University of London. His wife was an English woman, Sheila Mary Solarin (nee Tuer).

On return to Nigeria, he became a leading educator. Tai Solarin as well as being an educator became one of the leading post-Independence civil rights critics and activists in Nigeria. He was also an author and a philosopher.

In Nigeria, where religion dominates the public space, Tai Solarin was an open atheist humanist. As well as his political activism, he was a humanist activist. He was bent on letting Nigeria knew that you could be good without religion.

From 1952 to 1955, he was the Principal of Molusi College in Ijebu Igbo in the southwest of Nigeria. The governing board of the school demanded that he opened the school each day with hymns and prayers and that his students attended church every Sunday. He protested this vigorously. He wanted schools to be a religion-free zone so as to allow young people to think for themselves. He left Molusi College because he did not agree with the imposition of religion on young people.

Tai Solarin went on with his wife, Sheila to establish the first humanist school in Nigeria. His school is still going strong in Nigeria. It is called Mayflower School, in the southwestern part of Nigeria.

Tai Solarin was defiant until his very last breath. He was imprisoned for criticising corrupt governments in Nigeria. He was not afraid of being tortured or killed. He spoke out loud against bad governance, against any harmful practices of religion, culture, and tradition. His school is still one of the very best in Nigeria.

What remains unique about Tai Solarin was how he got away with being an open atheist humanist in Nigeria. Ordinarily being an open atheist humanist should be a problem in Nigeria, but Nigerians saw a good human in humanist Tai Solarin and loved him! In honour of his memory, Tai Solarin University Of Education is named after him.

Happy Tai Solarin Day!“

Thanks, Lola, for sharing the life of this fascinating man with me!

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I've Been Shortlisted For The Royal Photographic Society IPE 163

Noora from the series Seeing Changes © 2020 JC Candanedo

Noora from the series Seeing Changes © 2020 JC Candanedo

I am thrilled to announce that an image from my project “Seeing Changes” has been selected alongside the images of other 279 photographers as shortlisted for the Royal Photographic Society’s International Photography Exhibition 163. The Royal Photographic Society is an international charitable organisation based in Bristol, UK, dedicated to increasing the knowledge, understanding and enjoyment of photography. Founded in 1853, the RPS is one of the world’s oldest photographic societies.

The International Photography Exhibition has been held almost every year since 1854 and is the longest running exhibition of its kind in the world. In the early years, the exhibition included work from some of the world's most eminent photographers including Julia Margaret Cameron, Roger Fenton, Edward Steichen and Paul Strand.

“Seeing Changes” is a photography project in which I explore how a supportive environment can change a young person's life forever. The series includes portraits of students and staff from the Waltham Forest College in London who took part in a personal development programme run by the Prince’s Trust.

The Prince’s Trust supports young people who often come from difficult backgrounds or are at risk of exclusion. Some of the students have dealt with trauma, have had problems with the law or have experienced mental health issues that have affected their self-confidence and their outlooks for their future.

The Waltham Forest College is located in Walthamstow, an area of East London with a rich industrial heritage. After the Industrial Revolution, it was famed for its manufacturing companies that included manufacturers of transport, arms and photographic equipment. However, post-war and up until the 2012 Olympic Games the area faced many challenges such as high levels of crime, poverty and deprivation.

Since the 2012 Summer Olympics, this part of London has become increasingly gentrified and property prices have skyrocketed which has contributed to a change in the local economy and demographics. Still, Walthamstow remains one of the most ethnically diverse areas in London.

The college was built in 1938 in response to a demand for qualified labour for the industries in the area. One of the most notorious manufacturing companies of the time was Barnet Ensign, LTD, one of Britain's most successful camera-makers.

Barnet Ensign were the makers of the Ensign cameras, one of the most popular cameras of its time in the UK. The building where these cameras were produced stood three blocks from the College up until the 60’s when the factory was closed. The company never recovered after the building was bombarded during the Blitz in WWII.

All the portraits of this project were taken using an Ensign Ranger camera produced a decade after the college was built. This creates a direct link between the importance of Walthamstow in the history of photography, the place that the Waltham Forest College holds in the industrial heritage of the area and the work that the Prince’s Trust is doing in shaping the future of today’s youth.

Once the film was developed, I wanted to give a voice to all the participants so I asked them to write directly on the negatives and tell me their experiences of taking part in the programme. Due to the sensitive nature of some of their personal stories, I assigned the negatives at random so that no one wrote on their own portrait. This way, their personal experiences were kept anonymous.

While working on this project, I also led some of the workshops and offered mentorship to the students. I can honestly say that seeing their lives change from when they started in the programme to when they finished, knowing that we’ve contributed to the look of accomplishment in their faces, has been one of the most enriching experiences of my life.

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Why Must Everyone Celebrate LGBTQ+ Pride Every Year

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This post was updated on July 6, 2021, to include the murder of Samuel Luiz in Galicia.

In the UK, the new £50 note featuring Alan Turing enters circulation today. Alan Turing was a scientist, war hero and one of the most famous humanists in the history of the UK. He was also a gay man, and despite his contribution to world peace and to the Allied victory of World War II he was convicted for being gay and forced to undergo chemical castration. 67 years after his death, this seems like a token commemoration that only highlights how our governments are capable of the most horrible actions against human rights, to the point of targeting those who have contributed to humanity the most.

We no longer live in a world as the one Turing knew, but we still live in a very homophobic world. If you don't believe me, just think that I am a gay man living in a major city in the global north in the XXI century, who cannot go out on the street holding hands or kissing another man. Something that any straight couple would do naturally and worry-free it is not available to me. You could argue in favour or against public demonstrations of affection for any type of couple, but that's not the point here. The argument here is that in the year 2021 I am still not free to walk the streets of the city I live in without fear. Just because I am a man who loves another man. That is just one of the ways in which everyday homophobia manifests itself these days. And that is just one of the reasons why we still need to celebrate Pride every year.

52 years ago, on June 28, 1969, the New York Police raided the Stonewall Inn, a popular gay bar in New York's Greenwich Village. Police raids in gay venues were common those days because engaging in gay behaviour in public was illegal. But that day, the Stonewall Inn's patrons and the neighbours from the surrounding areas stood up to the police fed up with the abuse that had gone on for far too long. That clash with the police led to six days of riots, which have become a symbol for the LGBTQ+ liberation movement worldwide. June 28, 1969, marks the day in which those brave LGBTQ+ people that came before us started paving the way for the rights that we enjoy today.

We have come a long way in terms of human rights for the LGBTQ+ community, but I'm here to report that things are not as happy under the rainbow as they seem. Sure, I can get married to another man, I could adopt children if I wanted to, and the majority of us in the UK (excluding religious communities) don't have to conceal our sexual orientation anymore. Still, Conversion Therapy has not been fully banned in the UK yet (it's pending "consultation") and homophobic attacks (typified as hate crimes in the UK) have increased by 20% over the last year in the country.

This comes as no surprise, particularly because the British Empire, the one that so many English nationalists are so proud of despite the atrocities committed in the colonies, was responsible for spreading homophobia throughout the planet. As someone who was one of the lucky ones who was able to escape from conversion therapy, but who has been a victim of acts of homophobia throughout his life, I can attest that we still don't live in an LGBTQ+ safe world.

In the EU, it is not safer to be LGBTQ+ than it is in the UK. In Spain, on the night of July 3, 2021, a young gay man from Galicia called Samuel Luiz was brutally murdered by a group of straight men who beat him to death while calling him a faggot.

Being born LGBTQ+ in countries like Hungary and Poland means living under constant government and societal hostility. In other countries where religion also has a huge influence like in the case of Italy, the Catholic Church is using its power to restrict the protections that the government offers to LGBTQ+ people.

Also in Spain, where football is another type of religion, an openly gay referee had to quit his job due to homophobia. In Germany, the UEFA made a political statement by trying to avoid making a political statement in Munich when it refused to light Munich stadium in rainbow colours for Germany-Hungary match. And outside of Europe, but still speaking of football, Mexico's football team was recently sanctioned due to the homophobic chants of its fans.

Staying on that side of the pond, and in a country that is considered liberal and progressive, the State of Florida in the US just passed homophobic legislation that takes away rights and protections to trans people.

Leaving the liberal world, if we now talk about countries like Uganda or Nigeria, considered one of the worst countries for LGBTQ+ people in the world, or Russia or Chechnya, the situation is even direr. The world is still not a safe place to be born LGBTQ+.

So when we see every year a parade organised by the LGBTQ+ community and its allies, no one should wonder why we still need to have a day to commemorate our Pride. June 28 is not only a date to celebrate how far we've come and to honour the members of our community who came before us and who we must be grateful to for the few rights that we are able to enjoy today.

It is also a day in which we send a message to the LGBTQ+ people around the world who still live in fear of prosecution or even death where we tell them that we got their back. That not a day goes by that we don't do everything within our power to combat homophobia and make this world a safer space for the current and the future LGBTQ+ generations to come.

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My Humanism

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My Humanism is my personal philosophy of life. I strive to be an ethical, compassionate and responsible person every single day.

My Humanism is not perfect, but it's a work in progress. It is open to being challenged because I know that I might be wrong about some of the things that I believe.

My Humanism is universal, I treat fellow humans and other species with compassion, warmth, understanding, and respect.

My Humanism is individual, I give meaning to my own life because I believe it's the only life that we have.

My Humanism is secular, I reject any form of superstition or belief in the supernatural but acknowledge the importance of respecting and coexisting with those who have these beliefs.

My Humanism is introspective. I recognise the importance of self-reflection and self-awareness and understand that only when you love and take care of yourself is that you can love and take care of others.

My Humanism is pro-Humanity, and I know that only by upholding the Universal Declaration of Human Rights and protecting the planet is that we guarantee the continued existence of humankind and the rest of the species that inhabit the Earth.

My Humanism is for everyone, regardless of socio-economic or political background, whether you went to school or learnt everything you know on the streets, no matter if you were born and bred here or came from elsewhere: to me, You matter.

My Humanism is Inclusive, there is a place for everyone at my table and I know that my life is only richer because I'm surrounded by people from all walks of life, from different cultures and different ethnical backgrounds.

My Humanism is feminist, gender identity should not exclude a person from having equal rights.

My Humanism is free, and so is my thinking. It has more questions than answers, but it is rational and relies on logic and evidence to make sense of the world always trusting in science.

My Humanism is not an easy option. There are no rules, no sacred books, no dogma, and there is no divine being to be grateful to or to blame for our problems. I know that I am accountable for my own actions.

And that's why my Humanism sets me free.


I am a member of Humanists UK and I am part of the committee of Central London Humanists.

Photo credit: Portrait by Sarah Tucker.

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Photography As A Tool For Social Impact - Podcast Interview

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A few weeks ago, I was interviewed by Muaz Notiar for his podcast Blazon, a business and entrepreneurship podcast for the Creative Industries. We spoke about how photography can be used for social impact and how it can be used to pursue sustainable change.

Muaz is the co-founder of Revstance, a Fashion Advisory and Consulting digital agency on a mission to give designers and boutique owners a channel to showcase their talent and reduce the hurdles when consumers try to find them.

They created the Blazon podcast to allow the public to hear directly from people working in the creative industries in order to give them a glimpse into how these industries work.

During the conversation, we touched on the environmental challenges that the industry and the world face. We also talked about how many creatives, photographers in particular, don't know where to begin when it comes to running sustainable and ethical practices and how starting small is a good approach.

You can listen to the episode on the player below or you can also read a transcription of the interview in their blog.

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Don't Believe Anything I Say

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It may sound counterproductive for me to say this about my blog posts, but you shouldn't believe a word that I write. Or a word that anyone else writes for that matter. Instead, you should do your own research every time that you read about the topics that interest you. Even if what you are reading comes from a source that you trust. Every article that you read has some sort of bias, including those written by journalists from reputable media. The editorial line of the publication will always have a bias and will always try to please its audience. There is no such thing as an unbiased news piece and all opinion pieces obviously have a bias. The person presenting you with the information has, consciously or subconsciously, imprinted their own way of looking at life on the words they write. That is the reason why, whenever I write a piece where I share facts about any issue I always include the links to my sources so that you can do your own research and don't believe my words blindly. I was brought up knowing not to believe everything I hear and striving to find my own truth. That has made me a very inquisitive person.

"The truth is out there", said the famous tagline from the X-files. Today, it would read "The truth is paywalled". If you want to have access to rigorous investigative journalism on the internet you have to pay a fee. But, hoaxes, disinformation and conspiracy theories are roaming free all over the web. The majority of people either can't afford or don't want to pay to read news online and that is why misinformation spreads like wildfire. As a creator myself, I understand that journalists and news outlets must charge for their work but we must find a strategy to make truth and facts available to everyone or the misinformation problem will only become worse.

Back in 2017, I wrote a post where I spoke about how the most searched word on the internet that year was "truth". It's really preoccupying that today, 4 years later, misinformation is still being spread without any consequences and under the protection of Free Speech. As if Free Speech was meant to protect words that inflict hatred or cause harm to humanity.

The Center for Countering Digital Hate has released a new report in which it proves that as much as 73% of vaccine misinformation on Facebook and 17% on Twitter can be linked to the same 12 individuals. Take a few seconds to digest what I just said. Twelve people from the 8 billion humans that inhabit the planet are responsible for 73% of vaccine misinformation on Facebook. It seems to me that they are fishing in troubled waters. Someone always profits in moments of chaos. Sadly, it will take us a while to find out what their agendas are and by then the damage might be irreversible.

Finding sources that one can trust has become a major challenge. Take it from me, every time that I write on my blog I spend hours, if not days, carefully researching the topics that I write about. Actually, don't take it from me. Don't believe me. Do your own research. Read my words with the utmost disbelieve and carefully look for other sources to contrast the information that I present in my blog. The truth is out there... if you have the patience to find it.

Photo credit: portrait by Ivan Weiss.

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Climate Change Is A Fashion Issue

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Yesterday marked a year since the first lockdown in the UK. If this year has taught us anything is that our relationship with the environment must change. In a previous post, I wrote about how the climate emergency is a photography issue encouraging fellow photographers to reassess their practices and get involved in bettering the planet. Today, I write about how those of us who have a direct or indirect role in the Fashion Industry, or anyone who consumes fashion for that matter, are also part of the environmental problem. The good news is that we all have the potential to be part of the solution. Small changes in our day to day lives can have a massive impact if we all apply them consciously.

There is no doubt that the Fashion Industry is one of the biggest polluters on the planet. For this reason only, anyone who supports the Fashion Industry has a duty to protect the environment. If your support to the industry doesn't come from your line of work (design, production, logistics, retail, wholesale, support roles), and you don't see yourself as a fashion victim, you might think that this article is not for you. The reality is that, when it comes to the clothes we wear, we are all partly responsible for how the Fashion Industry affects the environment. If you didn't make your clothes yourself using sustainable materials and processes, you are part of the problem.

When we think of the Fashion Industry, we tend to think of luxury brands and fancy designer runways. We forget that everything that we are wearing this very second (shoes, undergarments, clothes, accessories) was produced by a brand that is part of the industry and also accounts for a percentage of its environmental impact. So, when I say that Climate Change is a Fashion Issue, what I'm trying to say is that Climate Change is an Everyone's Issue.

In my post about how Climate Change is a Photography Issue, I wrote that at its most basic level climate change is a human issue. This means that if you are human, you are both affected by or liable for the climate crisis. And this includes both our consumer behaviour and our work practices.

How can I reduce my fashion environmental impact as a consumer?

As part of the efforts that we have to make to have more environmentally friendly habits, the way we shop needs to change. This doesn't only apply to the way we buy clothes, but learning to be a more responsible fashion consumer can have an impact on our shopping behaviour in every other type of categories of products and services that we buy.

Here are a few things that you can start doing as soon as you finish reading this article to become a smarter consumer:

  • Buy less: I know, this sounds counterproductive coming from someone who runs a business within the Fashion Industry. The sad reality is that the reductions that we need to make to counteract climate change go against the concept of capitalism and growth. If you don't buy new clothes, you will not contribute to the problem at hand. But I can't advise you not to buy new clothes ever again because this will unleash a series of other problems (economy, employment, waste) and it's very naive of me to think that you won't have the need to buy new clothes at some point. The correct advice is to buy less, to think twice before we buy a new garment and to consider the other points coming below when you really need new clothes.

  • Repair: cheap clothes damage easily. Also, up until now, they were seen as disposable. This has contributed to the massive amounts of clothes piling up in landfills all over the planet. I am aware that not everyone can afford better clothes even if it means that they will last longer. But, something that everyone can do is to try to mend the ones that we own if they have small, fixable damages. Fashion businesses will soon start to provide this service to consumers.

  • Repurpose what you have: we all have pieces of clothing in our wardrobe that we haven't used in ages. If you believe in trends, they do come and go so it is likely that some of those pieces are back in trend. If you don't buy into the trends nonsense (and you shouldn't), rescuing those pieces from the back of your closet will make you feel like you are wearing new clothes without the expense.

  • Buy second-hand: buying pre-loved clothes is an excellent way of repurposing other people's clothes while not contributing to damaging the planet. There are plenty of places that sell second-hand garments, but soon this will also be a service provided by most fashion retailers.

  • Buy sustainably and ethically: finally, if you do have to buy new clothes the best that you can do is to support brands that are sustainable and ethical. Sustainable and ethical are not synonymous concepts, they are two very different things even if people use the terms interchangeably. Sustainability refers to brands that use materials and processes that are environmentally friendly. On the other hand, ethical practices refer to offering good working conditions to employees and paying them fairly, for instance. A brand can be sustainable, but not ethical. Or the other way around. When you become a smart consumer, you get used to researching the brands that you buy from before checking out. Try to support brands that are transparent about where they produce their garments, which materials they use, who works for them and how do they treat their staff. Extra points for those brands that support their communities, that show on their websites videos of their facilities and that have made a commitment to treating their employees fairly. You don't want to give your hard-earned money to brands that don't respect the planet nor humanity.

These are just a few things that you can start doing right away to become a smarter consumer. But, beware of greenwashing. Saying that a brand is sustainable and ethical is not enough. There must be transparency and proof. Also, stay away from brands or products that claim to be 100% sustainable or 100% ethical. When it comes to ethical and sustainable practices, you must constantly reassess your impact. Stating that a brand or product is 100% of anything implies that they feel their job is done. Be wary of brands that use euphemisms like natural, or organic, or good, because none of these words means sustainable nor ethical.

How can I reduce my fashion environmental impact as an employee?

It wouldn't be fair to suggest that you quit your job in Fashion if you suspect that the company that you work for is not ethical nor sustainable. Times are tough and we need to pay our bills. What I ask of you is that you research your employer and assess whether they are good for humanity and for the environment. Having this awareness is a good first step.

If you feel like your employer could do better (going beyond the basic environmental legal requirements, for instance) raise your voice. Change comes from within. You can become a change agent in your workplace. Group with like-minded coworkers and share your concerns with management. No company within the Fashion Industry can be excused for not being aware of their impact on the planet, but the management might not be aware that the company could be doing more.

It is easier to change our behaviours than to try to change the way that the companies that we work for operate. Businesses, especially large ones, don't have enough flexibility to act quickly most of the times. There are many interests and policies that come between intention and action. But having a group of employees to keep them accountable goes a long way.

Yesterday was a day of reflection. Our lives have been changed forever. The pandemic has had a toll on lives, mental health and the economy and it hasn't been too generous with the environment either, despite what we might think. People's shopping behaviour has shifted online, changing the playing field for the Fashion Industry but also incrementing the negative impact that the industry has on the environment and on the local economy.

Let's use this period of reflection to examine our lives and learn where we can apply these small changes that have big positive impacts.

Photo credit: behind the scenes by Ferran Vergés.

Do you like what you just read? Consider becoming a patron on patreon.com/jccandanedo where you can learn more about my creative process and the stories behind my images. I’d love to have you as part of my Patreon community.

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Social Impact For Creatives - Workshop

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A year ago, we decided at home to go into self-isolation due to the Covid-19 outbreak. We did it two weeks before the UK government finally realised that in order to contain the virus they needed to force everyone to stay home. We were called naive, paranoid, and a very British, very pro-Brexit person told me that it was very unlikely that Britain would go into lockdown because the government couldn't do that to our economy. Always the "Money-Before-People" mindset. A year later, there are hints of things going back to some sort of normality very soon. You can see it in people's moods and behaviours, and also in how businesses have started their advertising campaigns with renewed hope. A lot has happened over the last 12 months, a lot has changed. But, with this feeling of things soon "going back" to normal, what will happen to all the lessons we were supposed to have learnt?

We clapped, we marched, we masked up, we turned our homes into online activism headquarters while they were also used for work or homeschooling. It has been exhausting. There are days when I don't even feel like opening social media apps because I'm fed up. And I have a fear of becoming numb and jaded. In a year when the Creative Industries has taken the hardest hit since probably WWII, the only thing that has kept me going is having a sense of purpose.

I assigned myself the task of helping as many people as I could during these difficult times. I've donated and I've volunteered, but I've also created tools to educate and empower other creatives to achieve their potential as change-agents. I will never tire of saying that our industry is only as weak as its weakest link. If we want a better and stronger industry, we all need to grow together.

In this effort to contribute to bettering the Creative Industries and supporting my peers, I designed a series of workshops aimed at giving fellow creatives the tools they need to run their projects more efficiently and with agency and help them be more productive. Good intentions are no longer enough, we need actions.

This past weekend, I ran the pilot of my workshop on Social Impact for Creatives where I taught a group of creatives what social impact means, how to design creative projects for social transformation and how to run a socially conscious practice.

I now offer these workshops, alongside webinars and one-on-one mentoring sessions to any photographer or creative interested in running their projects and businesses with an aim on improving the world.

If you are interested, you can find out more on this link.

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Climate Change Is A Photography Issue

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It's no secret that most of humanity is doing great efforts to tackle climate change. Whether you believe that there is a climate emergency or not, you can't deny that over the last few years the majority of countries in the world have made it a priority to counteract global warming. And we have reached a point where, if you don't see the problem you are most likely part of the problem. During the event that I hosted last month for LGBT History Month on Queer Identity, Meghana Duggirala introduced me to a speech given by Audre Lorde in the early '80s where she said: "There is no such thing as a single-issue struggle because we do not live single-issue lives." As a photographer and a visual artist who explores Human Rights, Mental Health and National identity, Lorde's words resonated in my mind.

I've written in the past about the complexity of my identity, of anyone's identity for that matter. Sometimes, the people who commission photographers want to hire someone who does just one thing and does it very well. But, that description doesn't fit me. I do many things. Many very different things. And I don't know if I'm any good at any of them, but I do know that I'm very passionate about the things that I strongly believe in.

One of my main concerns over the last few years has been how my practice impacts the environment. I use my blog to tell my readers the different ways in which I'm exploring my place in the climate change crisis and the actions that I'm taking every day to counteract the contributions that my business has to global warming.

But when you speak about photography, particularly coming from someone who works in fashion, not many people understand the connection of my work with the issues that I care for. To some people, I don't look, act or talk like a fashion photographer because I speak out, write and care about the current issues that affect humanity. But, the truth is that the issues affecting humanity, especially those affecting the environment, affect the fashion photography industry as much as they affect the rest of the world. So, why should I deny my place in the problem and my possible contribution to a solution?

Climate change is a photography issue: I've written extensively about the relationship between photography and the environment. How the digital equipment that we use contributes to waste, how the storage of digital images contributes to deforestation and global warming, and how we need to reconsider bringing new creations into an already saturated planet. But one thing that I haven't written about is how climate change affects the photography industry and why every single photographer should be more concerned.

At its most basic level, climate change is a human issue. The devastating effects that global warming has on humanity are covered in the news every day. Photographers are humans, so anything that has a negative impact on humanity also has a negative impact on photographers. If this argument doesn't convince you, think about all the ways in which your business depend on humans.

Climate change also has a direct impact on the economy. If your clients, who are humans or companies run by humans, are affected by an environmental issue they won't be able to commission your work. If your suppliers and those who manufacture your equipment are affected by climate change or scarcity of the materials used to produce the tools you use, the prices of the services you pay for or the equipment that you buy will become more expensive. These two factors can put us out of business. If you want to have a glimpse into what this might look like, just think about the repercussions that the Covid-19 pandemic has had in our industry.

For anyone living and breathing in this day and age, there doesn't need to be a specific reason to realise how important it is that we all do what we possibly can to counteract climate change. If you are not sure of what you or your business can do to contribute to the environment, the UN has created The Lazy Person’s Guide to Saving the World to give you some ideas. If you need more information below are some of the posts in my blog where I have spoken about sustainability in our industry.

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On Queer Identity: What Does 'Queer' Mean To You?

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February is LGBT+ History Month in the UK, and this year I hosted on behalf of Out For Good an intergenerational community conversation and story sharing space about what being queer means to us as individuals and how we fit as LGBTQ+ people in our societies.

Out For Good is a charitable organisation bringing together LGBT+ people across the UK to celebrate LGBTQ+ visibility and work to break down barriers by making a difference in our communities.

The panellists shared what the word Queer meant to them and how has their identity been shaped throughout their lives. They also spoke about their coming out experiences and how long it took them to feel comfortable in their own skin.

It was interesting to learn about the most pressing issues in the community at the time when each of them came out as they belonged to very different generations. Prompting the question: Is being openly queer still an act of defiance in today’s world?

Finally, we spoke about how they imagined the future of the LGBTQ+ Community and what would they tell their younger or older selves.

Attendees said that hearing so many stories from different age groups was refreshing because there aren't many environments where inter-generational conversations like that happen. Panellists felt that it was very special and that it felt safe, explorative and warm. One person said that It was a great success and very empowering.

On behalf of Out For Good, thank you so much to everyone who was able to join in. I learned so much from this conversation and I hope you did as well. Thank you also to the unbelievable panel. I’m very grateful for the time they gave us and for sharing all their beautiful anecdotes and thoughts.

If you weren't able to tune in, you can watch the replay below:

The conversation took place via zoom on Sunday, February 21st, at 6 p.m. London time.

Do you like what you just read? Consider becoming a patron on patreon.com/jccandanedo where you can learn more about my creative process and the stories behind my images. I’d love to have you as part of my Patreon community.

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LGBT History Month Event: Queer Identity

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February is LGBT+ History Month in the UK, and this year I will be hosting on behalf of Out For Good a community conversation and story sharing space about what being queer means to us as individuals and how we fit as LGBTQ+ people in our societies.

Out For Good is a charitable organisation bringing together LGBT+ people across the UK to celebrate LGBTQ+ visibility and work to break down barriers by making a difference in our communities.

The panellists will be sharing individual experiences of growing up queer, with coming out anecdotes, finding love as an LGBTQ+ person stories, and dealing with society in general from family, to work, to our extended communities.

The conversation will take place via zoom on Sunday, February 21st, at 6 p.m. London time.

Register on outforgood.co.uk/events and you will get the Zoom link before the event.

Don't miss this necessary intergenerational conversation where we will explore our identity and our place in our communities.

Do you like what you just read? Consider becoming a patron on patreon.com/jccandanedo where you can learn more about my creative process and the stories behind my images. I’d love to have you as part of my Patreon community.

Do you like what you just read? Subscribe to my weekly blog posts here! You may subscribe to the audio version wherever you get your podcasts.

Coexistence Starts With Respect

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Coexistence is a fashion editorial that I shot for the cover of C-Femme Magazine back in 2015. The inspiration behind the shoot came from the question: how can we exist in harmony despite our different ideologies? The fashion story depicts the clash between cultures, in this case, humans vs out of space visitors, trying to find commonalities in spite of their differences. Back in July 2020, Chantal Miller and I discussed the idea of Coexistence and the steps that we need to take in order to live in peace within our communities. You can listen to the conversation on the audio version of this post or in your favourite podcast platform.

Chantal Olivia Miller is the founder of Island Girls Rock, a platform that champions women of Caribbean descent in the UK. She is also a producer/presenter (radio and podcasts), she runs digital storytelling workshops and curates exhibitions and panel discussions exploring Caribbean representation in mainstream media.

I shot this editorial at the end of 2015, a year that felt to me like the beginning of the wave of extremism that we have been living over the past few years. During 2015, Daesh radicalisation cost the lives of so many. Also, the attacks towards Turkish people in Ankara, French people with both Charlie Hebdo and the Paris attacks, and people in the US with the Charleston church and the San Bernardino shootings dominated the media.

Freddie Gray was killed in police custody in Baltimore and the case against his killers concluded with zero convictions against any officers. As if that weren’t enough, Trump entered the race for president of the US. And, to top it all, the refugee crisis of people feeling Syria sparked new waves of xenophobia that resulted in the success of movements in Europe like the Brexit campaign.

At the end of the discussion, Chantal and I agreed that the case for coexistence starts with respect. Equality doesn’t mean sameness. It means respecting our differences. We must acknowledge that we are different, but we must make the effort to find the commonalities that will bring us together as a community.

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Ideas Are Ridiculous Until They Work

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For any creator who has a social-conscious, the times that we are living present an interesting conundrum. Why create something, be it physical or digital, and bring new things into the world when the problem with the environment is that the planet is already overflowed with things? My friend Aksha and I were discussing this a few days ago and we both concluded that for creatives who care about the planet the problem is at the core of our practice. How to contribute to one without affecting the other? How to successfully be a business, an artist and a human being without ruining the world?

The first time that I had a conversation about these questions was with my friend Almudena Romero, a visual artist working with a wide range of photographic processes to reflect on issues relating to identity, representation and ideology. In her work, she uses plants to reflect on the idea of using photography to leave a legacy in the current context of permanent crisis (environmental, social, economic, political and now sanitary too). Her plant-based photographs grow, develop and disappear in a constantly evolving state that questions the spaces and forms where photography exists.

I asked Almudena for advice on which archival medium to use for one of my projects, and she made me reflect on what my legacy really is. In an oversaturated planet, do I want my legacy to be an archival long-lasting collectable artwork that adds up to the pile of objects that already pollute the planet or do I want to be remembered for my contributions to the world as an artist? The answer to that question could easily lie on her ephemeral art pieces.

I presented this problem to Zula Rabikowska in a recent conversation. Zula is a documentary photographer exploring national identity, displacement and belonging. Since the pandemic started, she has been experimenting with developing film photography by only using household products from her kitchen, such as coffee, turning her darkroom into an organic and environmentally friendly practice. Zula suggested reading about Ira Lombardia, a photographer who decided not to take images for three years until she could find an answer to the same conundrum.

My mere existence and my practice have negative impacts on the world. If I use analogue photography, even if I work in a sustainable darkroom, the image is captured on a plastic film strip. If I used digital photography, the image is saved as a file that lives on thousands of server farms that are consuming massive amounts of resources around the planet. If I write on my blog, I force you as a reader to access it in one of your devices that are probably produced by a brand with a planned-obsolescence strategy and that use up all the technological resources that are one of the main parts of the problem.

I am aware that by writing this I'm not presenting an answer but rather highlighting a problem. Maybe there is no answer, but it would be interesting to hear from others their thoughts around this issue. How can I be a visual artist and pay my bills while at the same time improving the world and not contributing to damaging the environment?

The solution to the conundrum might be something that in the present we might consider ridiculous. Such as the concept of de-growth proposed by the likes of Jason Hickel. But ideas are only ridiculous until they work. Think of all the things that in the past were considered laughable and today are an everyday occurrence.

So, in the spirit of brainstorming laughable ideas: is there a way to create visual art that doesn't have a physical form or support? Something that is ephemeral, that doesn't last beyond the instant when it is experienced by the viewer and that doesn't contribute to bringing more stuff into the world. Any ideas? Or have you got any ridiculous ideas of your own? I would love to hear your thoughts.

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Patreon is a platform that enables me to offer you the content that you enjoy. Consider becoming a patron by clicking here. For less than the price of a cup of coffee a month you can support this blog and learn how I create my work. Also, 6% of my patrons' support goes to a different charity each month!

Bettering The World: Is It Someone Else's Job?

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This morning, as I was leaving home for work, I noticed that the hallways, lifts and reception area were covered in Christmas tree needles. Someone had obviously disposed of their holidays' decorations. It was as if whoever made the mess was expecting for someone else to take care of the clean-up. It's always someone else's job, isn't it? And the problem with this attitude and this way of looking at life is that it influences every other aspect of our lives. Why bother speaking out against injustices if that's the job of advocates? Why bother with the environment if that's the job of activists? Why bother with wearing a mask during the pandemic if someone else will wear theirs and protect me? In times when inactions make our problems worse faster than our actions can fix them, why do we choose apathy?

When I was growing up, whenever my father saw that I didn't feel like doing a task he would tell me: "combat laziness with action". With these four words, my father turned my brother and me into high performing people. And this, combined with a sense of consideration towards others, would have made me immediately clean up after myself if I had been the one bringing my decorations down this morning.

What could be the root of this apathy? Apathy is a feeling of having no feelings towards something. It sounds contradictory, but it is the emotion that lacks all emotion. It can be defined as a behaviour that shows no interest in something important, but it is also a lack of energy for everyday things. Being indifferent to everything that is going on around you can be linked to social determinants or in young people it can be part of the normal transition from adolescence to adulthood. In other cases, it can also be an early sign of a serious condition like dementia, Parkinson's and Alzheimer's, abuse of painkillers and cannabis, or a range of neurological and psychiatric disorders.

However, apathy can also be a symptom of an overload of information. When we are constantly told that there are so many things wrong in the world and that it is our duty to act on them our compassion can go numb. This can leave us in a state of empathy paralysis called compassion fatigue. This collective feeling of burnout and of lack of empathy has become very common in the times we are living.

Can we start caring again? If you are experiencing apathy due to burnout or if you think it can be linked to a more serious condition, seek help. Talk to someone you trust or seek professional advice.

Could this be the reason why my neighbours didn't clean up after themselves? Perhaps is not apathy and they are just selfish. O maybe they are lazy. Whatever it is, it's the same behaviour that I see when it comes to the problems that the world is facing right now.

Sustainability sounds like a lot of work. Righting all the wrongs can sometimes feel like someone else's job. If you are indifferent to the problems that you see around you the UN has prepared the Lazy Person’s Guide to Saving the World. They propose some simple things that we can adopt into our routines that, if we all do it, will make a big difference.

Cleaning up the mess we make is not someone else's job. It's our job. If humanity has made of this planet a mess, then humanity must clean up after itself. Maybe I personally didn't run a sweatshop, or enslaved anyone, or produced the plastic that floats in the ocean. But if I don't take action I become an accomplice. I turn into an accessory of all the crimes committed against nature and against humanity. In this case, the bystander is just as guilty as the perpetrator.

Photo credit: behind the scenes by Andrzej Gruszka.

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A Self-Reflection At The End Of A Tough Year

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When I had my first job back when I was 19, I had a conversation with a coworker about happiness. I can't really remember how the conversation went but her remarks on what happiness meant to her stayed with me forever. For her, happiness was not a constant state but a sum of moments. When she looked back, if she was able to count more happy moments than sad moments in her life then she felt content. Whenever I am going through a tough time in my life, I always remember her words and count the happy moments in my life. It never fails, I have a lot to be grateful for.

I have everything I need. And, even if this statement is not entirely true it does feel that way. Not long ago, I read that happiness is the difference between what you have and your definition of enough. The less you need, the more you have. Maybe this is why I feel that I have it all. But, in the words of Michelle Obama, if you have it all that means that someone else has nothing.

This has been an important lesson in times when so many inequalities have come to light. People who work as hard as I do and who have the same set of skills that I have are not given the same opportunities. And this realisation has given me a purpose and a mission to help others via mentoring, skills share and peer support. You climb and then you lift others with you. It is the only way our communities will thrive.

I am aware that this self-reflection is a difficult exercise, especially in times like these when we are going through a prolonged period of instability and collective grief. The experiences that we've lived over the last year can easily cloud the view of everything that we have that we should be grateful for. My only wish for you at the end of 2020 is that, by looking back and reviewing your life, your happy moments outdo the not-so-happy ones. Happy Holidays and may 2021 be everything that you wished 2020 would be.

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What Do Human Rights Mean To You?

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December 10 is International Human Rights Day, and to mark the date this year I am happy to announce that I will be one of the judges of an art contest held by Skaped. This art contest is open to all young people age 16 - 30 years old living in the UK responding to the question "What do human rights mean to you?" By creating artwork and bringing awareness to issues you care about, together we'll stand up for human rights and carry on!

The art forms accepted for the competition are painting, drawing, photography, collages, fine art/sculptures, illustration, fabric art or digital art. The winner will receive a £100 voucher worth of art supply.

The winner will be selected by a panel of 4 judges::

  • Nigel Twumasi, co-founder of Mayamada, using manga to inspire a new generation of creatives and entrepreneurs to make a social impact.

  • Shajna Begum, founder of The Film Bunch, improving access for deaf and hard-of-hearing people to mainstream short films.

  • Kirsty Reynolds, visual artist bringing people together to connect through play and creativity.

  • JC Candanedo, visual artist using photography to explore Human Rights, Mental Health and Identity.

Submissions are open from the 3rd-22nd of December, with the winner announced on the 30th of December.

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Reclaiming, Not Claiming

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I've always liked studying history. Back in my school days, it was one of my favourite assignments. Not every teacher made it interesting, but those who did took us on a trip through time showing us how life used to be and how far we have come as a species. However, I had classmates who despised it. They wondered what contribution did studying rocks and tales of dead people had in their lives. I didn't have a smart comeback for these remarks back then, but these days I would tell them that if history weren't that important there wouldn't be people trying to change it to suit their needs.

I mentioned in my previous post how when I went to school our history books painted the European invasion to America (the continent, not the country that has borrowed its name) as the saving grace for Aboriginal people. History has always been written by the winners, and nowhere in those books could you learn about the genocide and the appropriation of resources that made European empires so rich.

Since I wrote that post, I have thought a lot about human rights and the way we've had to fight for our dignity and the recognition of our humanity in recent history. It is still surprising to me that The Universal Declaration of Human Rights had to be signed and published in 1948. As if before that declaration was signed we didn't have that humanity. As if before we fought for those rights we didn't deserve them.

The Suffragette and the MeToo movements, albeit separated in time by almost a century, are two examples of these fights for the recognition of rights against conservative groups that have tried to make us believe that women have never had those rights. As if, historically, there hadn't always been societies where women were not only treated equally but also shared positions of power with men. I was born in a country where many Aboriginal cultures are still matriarchies to this day (The Ngäbe, The Guna and the Bri Bri people, to name a few).

The Abolition of Slavery, The Civil Rights Act and the Black Lives Matter movement are also separated by a century between them, and they represent the fight for the recognition of the rights of black people. As if before they were kidnapped from their hometowns four centuries ago by the European empires they didn't enjoy those freedoms.

The Indigenous Civil Rights movement and the Aboriginal Tent Embassy in Australia are examples of fights for the acknowledgement of rights and the humanity of Aboriginal people in Australia. Pause there for a second and think about how the British didn’t consider the Australian Aboriginal people as humans. They thought of them as cattle. They had to fight for the right to be considered human, as if before the British came to what they called the Antipodes the people living there didn't enjoy their freedom and their rights in their own land.

This list could go on forever, but I will finish with LGBTQ+ rights. We have been made to believe that it wasn't until Stonewall in 1969 that queer people gained our rights. As if before Stonewall we didn't have the right to identify whichever way we deserved or have sex or fall in love with whomever we felt attracted to. The truth is that, for centuries, religions have tried to take away our humanity and our rights because if we don't procreate we are not useful to them. It's a war of power, control and numbers between religions and they need humans to be born into their cults to win this war.

This is why it's not only important to study history to prevent ourselves from repeating the errors of the past but also to learn that we are not fighting to gain a set of rights that we feel that we deserve. We are fighting to reclaim the rights that have been taken away from us.

The past hasn't always been fairer nor kinder, but those who are trying to strip us of our rights these days are basing their arguments on a version of history that they have created for their advantage. And if we don't correct the way history is being taught today, we will have to continue reclaiming our rights for millennia to come.

Photo credit: portrait by Sarah Tucker.

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